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public art 02.26
the irony is that you have to define the structure within a beurocratic situation even tho it feels like it's prohibitively closed already. it's there, you just have to have the negotiation ability to make it. it's a matter of seeing flexability and resource everywhere.
public artist as game maker. definer of rules for people.
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isn't it enough to make something that is NOT commercial in the sense of the standard?
where is our beaureau of public aesthetics that can control what businesses go in and what not?
alfredo jaar just goes around talking to people. this is 99% of being an artist. it is the practice of exchange. it is the practice of being social.
janet cardiff
44 part quartett
swoon does tags and then makes limited edition prints of them.
you could do broadcasts and then do limited edition cds.
robby canal
banksy makes things that are specific enough to hit upon themes in multiple contexts in many locations. what is placed in london means something different than on a highway in LA.
nancy princenthal...
felice varini
artist books as precursor to the internet.
time
permanent
temporary
invisible
focus
site
space
place
community
artist
issue
material
wulfman notes 02.26.
2 things that you need to do with any writing.
what is your goal?
who is your audience?
draft to clifford by wednesday.
draft of production and writing schedule. work back from may 3rd and april 6 or 13th.
list of advisors